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Mouvances & médias

Bergson

Post 03 from Haukijärvi Finland – Arteles

2016-02-15 by GedeonCom Leave a Comment
Vertical Features 5

On Verticality, still[ness], [stand]ing.

In “Vertical Features Remake”, Peter Greenaway uses the simple device of counting frames on film to create a mythology around the elemental idea of a thing sticking out from the horizon. I was surprised when looking at my captures from this day to notice that all I seemed to be interested in was exactly that. This is my process, let chance (thanks Aiden) and coincidence fester and bleed into daily experience.

Vertical Features 1

Barn = Growth = Vertical (in this context)

 

In his commentary on the film, Greenaway speaks of our ability to spot symmetry on a spatial plane. We see the thing before us and we can feel comforted in symmetry, at ease knowing there is balance and order. But over a duration this ability becomes compromised, the acts of remembering and reconstructing seem to obfuscate symmetry. This is where working with motion and duration (soundvideo) becomes interesting to me. I am not a storyteller, or rather I resist seeing things as a beginning-middle-end construction. Time is independent form us, duration is how we define time; these are two very different actions/responses but we conflate them.

Vertical Features 2

Stilled Sprouting Still Looking to the Sky

 

Time happens all the time; past, present and future (conditional or not) are the same thing to Time, they do not exist in sequence they exist in simultaneity. This is foreign to the mind; like imagining what infinity really means it just slips a few steps beyond our grasp. The word on the tip of the tongue moving towards the throat instead of the lips.

Vertical Features 3

An indication on the land, the colour suggests caution to break the horizon.

 

Here/Now, the shadows are long all day. The light is like the light in the shadow of the mountain.

Vertical Features 4

The colour red becomes vertical by virtue of presence.

 

Le temps s’aventure sans nous et nous, nous sommes pratiquement incapables de percevoir le temps derrière la durée. Mais tout cela peu se changer, il suffit de détacher la montre du temps et comprendre que midi à quatorze heures ne veut rien dire au Temps.

Vertical Features 5

Tiny Verticals [Stun]ted Still R[each]ing.

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Posted in: Arteles, Bergson, Journal, Landguage, Langscape, silence::awareness::existance Tagged: Bergson, Duration, Langscape, Time

7 Minutes of Terror

2012-07-31 by GedeonCom Leave a Comment

Wow… talk about trying to stir up some excitement around a space launch. I can’t wait for it myself, I am a bit of a space nut; not so much the nitty gritty science of it but more how it can be conceptualized as truly exciting place to look for human creativity. I got this link to a video on APOD; it is the only website I visit on a fervent basis. Curiosity.

Deceased cats.

But more to the point, this video is actually quite hilarious, it is dramatically over cooked by about 15 minutes at 500 degrees Celsius. It is lurid and pornographic in a twisted way.

 

 

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Posted in: 23, Bergson, Landguage, Landscape, Langscape, Sound Tagged: 23, Bergson, Brian Massumi, Landguage, Landscape, Langscape, Movement, Speed, Surface, Travels

The new year, another after last before the next

2012-01-08 by GedeonCom Leave a Comment

And yes, another year begins in earnest.

     I am hoping to explore new territory as well as show paths that go from one land to the other. I know that I am getting known as the “time guy” but in the end, it is in the use of duration, speed, wave or undulation that seems to be what is being brought forward in acute ways within the complex of activity of the human/computer~interface.
     And what of the new landscape created by data pathways? Has it been represented? Should it be? Much is made of the use of affect in New Media, it is articulated as a “fait accompli” of the medium. Brian Massumi, whose writing I very much appreciate, seems to be looking very closely at what is the coming-to-being of sensation and experience. Though the potential is obviously out there, it seems like the artwork that stays at the forefront is the work that uses clever sensorial hooks and technologies that seem to be reviewed in the journals. The look towards them is always fairly similar, using what I perceive to be the Whiteadian position. I still wonder how exact Einstein was in his calculations; much of this thinking seems to build from the concept of relativity and tends to use it as a given, a proof, a theorem. All well and good, but what if it is wrong and instead of the apple falling on Newton’s head, it was rather Newton who fell upward into the apple?

 

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Posted in: Bergson, Deleuze, New Media Excursions Tagged: Bergson, Gilles Deleuze, Ruminations, Teaching

Les Lumières

2010-09-20 by GedeonCom Leave a Comment
Et ce fut l’age des lumières. Le moi et le soi se plient et se replient.

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Posted in: Bergson Tagged: Bergson, Brian Massumi, Stuff, Surface
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  • Mission Statement
  • Projects – recent works
  • Soundworks @ SoundCloud
  • Videoworks @ Vimeo
  • The Shorelines Project – Exhibition Catalogue
  • Mapping The Bay of Islands NE

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