Landguage

7 Minutes of Terror

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Wow… talk about trying to stir up some excitement around a space launch. I can’t wait for it myself, I am a bit of a space nut; not so much the nitty gritty science of it but more how it can be conceptualized as truly exciting place to look for human creativity. I got this link to a video on APOD; it is the only website I visit on a fervent basis. Curiosity.

Deceased cats.

But more to the point, this video is actually quite hilarious, it is dramatically over cooked by about 15 minutes at 500 degrees Celsius. It is lurid and pornographic in a twisted way.

 

 

Day one with WordPress

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As they say, “hello world”.

Electricity.

 

A repeat picture, but a test of the ease of use. I am looking forward to converting my old site and building this one. This really seems to do everything I need… we shall see.

 

And if…

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There is more. What exactly does more mean? Another langscape? Another landguage? It is nature to look at the fescue on the other side of the divide and wonder at its marvelous greeness, luscious velosity. But it is movement that is at issue, or rather displacement.

Roberto dell Griva sits by the gunwale of the shipwrecked vessel. He ponders the idea that what he sees before him is yesterday. When he sees a bird flying there, he knows it is not there now. He can’t swim. He knows that if he dives off the ship and swims toward the island, he will be swimming towards the day before. But, as mentioned, he cannot swim. Is this what it means to consider the verdosity of the fescue outside the limits of the enclosure? Of course it is. Get over it.

Idle

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And so it is, we move we displace we saunter, but all in all we are idle. Standing in front of what is behind, just so. To suggest there is something behind confirms that there is something ahead. Spacial [special] theorem of the day, time as space would also fit into this. No? I’ll have the theorem special #4, it comes with egg rolls.

Retouching scanned negatives, tiz the summer for that it appears. The results are outstanding but questions remain. As the retouching process continues, the idea of “cleaning up” the images is always there. At what point does the removal of spots and dust become a removal of the artifacts that make an analogue photograph what it is. The decision tomake is what artifacts to keep and which to make disappear and at what point will the photograph become a capture?

– Posted from GEDEON XXIII

Location:Central Street,Bay Roberts,Canada