Slow Travel

And if…

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There is more. What exactly does more mean? Another langscape? Another landguage? It is nature to look at the fescue on the other side of the divide and wonder at its marvelous greeness, luscious velosity. But it is movement that is at issue, or rather displacement.

Roberto dell Griva sits by the gunwale of the shipwrecked vessel. He ponders the idea that what he sees before him is yesterday. When he sees a bird flying there, he knows it is not there now. He can’t swim. He knows that if he dives off the ship and swims toward the island, he will be swimming towards the day before. But, as mentioned, he cannot swim. Is this what it means to consider the verdosity of the fescue outside the limits of the enclosure? Of course it is. Get over it.

Idle

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And so it is, we move we displace we saunter, but all in all we are idle. Standing in front of what is behind, just so. To suggest there is something behind confirms that there is something ahead. Spacial [special] theorem of the day, time as space would also fit into this. No? I’ll have the theorem special #4, it comes with egg rolls.

Retouching scanned negatives, tiz the summer for that it appears. The results are outstanding but questions remain. As the retouching process continues, the idea of “cleaning up” the images is always there. At what point does the removal of spots and dust become a removal of the artifacts that make an analogue photograph what it is. The decision tomake is what artifacts to keep and which to make disappear and at what point will the photograph become a capture?

– Posted from GEDEON XXIII

Location:Central Street,Bay Roberts,Canada

The sky is falling and I don’t have an anti-gravity ray.

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The weather has been rather unfriendly of late. I am not a fan of talking about the weather but it usually supplies one with an opening to some kind of conversation.

On est ici, ou bien là, ou encore entre les deux. La mouvance se produit toujours en deux sites simultanément. Intérieur et Extérieur. C’est simultané car l’un va inévitablement produire un effet sur l’autre. L’attirance vers le déplacement lent, utilisant le principe de la friction maximale, permet l’absorption des détails et des fréquences localisées. L’ouverture maximale aux synchronicités s’établi et les filtres quotidiens se trouvent bloqués.

L’idée d’être dans le moment peut très bien se traduire de l’espace temps au temps espace. Le temps étant une chose qui s’oppose à la durée peut exister comme lieu.

– Posted from GEDEON XXIII

Location:Central St,Bay Roberts,Canada

Informatric-e-s

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Coincidence, synchronicity is there any better muse.

– Posted from GEDEON XXIII

Location:Newfoundland and Labrador 70,Bay Roberts,Canada