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Mouvances & médias

Landscape

Cleanliness & Order : : Four ov Twenty Three : : Geography & Co.

2016-07-23 by GedeonCom Leave a Comment
Cleanliness and Order 04

Order serves at showing, inconsistencies in our methods of determining the ideal angle of zero degrees given odd geographical details.

 

WHO? is Nauseam and why to we write ads to it?

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Posted in: 23, Art Work, Bergson, Deleuze, Intertextuality, Journal, Landguage Tagged: 23, Architecture, Genesis Brayer-P-Orridge, Industrial Architecture, Landguage, Langscape, Photographic, Texture

Cleanliness & Order : : Three ov Twenty Three : : Profondeur, à un certain point

2016-07-23 by GedeonCom Leave a Comment
Cleanliness and Order 03

Insects… that seems to be all that comes to mind. The inviting hive resisting my odd flying habits.

C’est comme cela la syntax du moment, y’a toujours un élément important auquel il nous manque une clef pour y réfléchir. Un moment d’inattention.

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Posted in: 23, Art Work, Journal, Landguage, Tarkovsy Tagged: 23, Genesis Brayer-P-Orridge, Landscape, Photographic, Ruminations

Cleanliness & Order : : Two ov Twenty Three : : Where [miss]Di rection Goes

2016-07-23 by GedeonCom Leave a Comment
Cleanliness and Order 02

Cold, makes things look organized that much longer. Then freezing and thawing seem to throw little illusions in our path. Or it could be the waves of heat coming from the gloves clenched in your teeth distorting perspectives.

How well do we recognize order in dimensional planes? Is it like time, irrelevant in absence of context? P. Greenaway says that humans have weak skills in recognizing symmetry over time.

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Posted in: 23, Art Work, Journal, Landguage Tagged: 23, Genesis Brayer-P-Orridge, Gilles Deleuze, Langscape, Photographic, Ruminations

Cleanliness & Order : : One ov Twenty Three : : Road Map red Herring.

2016-07-23 by GedeonCom Leave a Comment
Cleanliness and Order 01

I assume, that is all I can do, that the order needed to create an even build-up ov particles is ov particular note. Of course that bit of fence needs to be there in order to add a sceptical perspective; but ov what exactly.

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Posted in: 23, Art Work, Journal, Landguage Tagged: 23, Genesis Brayer-P-Orridge, Gilles Deleuze, Photographic, Slow Travel
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