• Projects – recent works
    • Soundworks @ SoundCloud
    • Videoworks @ Vimeo
    • The Shorelines Project
      • The Shorelines Project – Essay
      • The Shorelines Project – Exhibition Catalogue
      • du littoral – works out of context
      • du littoral – Installations
    • SILLIS
      • Mapping The Bay of Islands NE
      • SILLIS – Description
      • SILLIS – Group
    • Plants :: Symposium Banners
  • Reports Archive
    • 02002
    • 02006
    • 02009
    • 02012
  • The Commission
    • Biography
    • Resume – Activities since 02000
    • Mission Statement
    • Contact

Commission GÉDÉON Commission

Mouvances & médias

Deleuze

XXIII

2015-02-10 by GedeonCom Leave a Comment

 

thee-23_seq01__02

My Eyes.

For your sharing needs:

  • Share
  • Click to email a link to a friend (Opens in new window) Email
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
Posted in: 23, Deleuze, Journal, Langscape Tagged: 23, Photographic, Sequence

Hommage… but then aren’t they all… WS pt.4

2013-09-17 by GedeonCom Leave a Comment

To Radiohead.

[radiohead as a verb]

{i radioheaded}

For your sharing needs:

  • Share
  • Click to email a link to a friend (Opens in new window) Email
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
Posted in: Deleuze, Journal, Machine/Human, Sound Tagged: Genesis Brayer-P-Orridge, Gilles Deleuze, Langscape, Pestilence, Ruminations, Sound

The new year, another after last before the next

2012-01-08 by GedeonCom Leave a Comment

And yes, another year begins in earnest.

     I am hoping to explore new territory as well as show paths that go from one land to the other. I know that I am getting known as the “time guy” but in the end, it is in the use of duration, speed, wave or undulation that seems to be what is being brought forward in acute ways within the complex of activity of the human/computer~interface.
     And what of the new landscape created by data pathways? Has it been represented? Should it be? Much is made of the use of affect in New Media, it is articulated as a “fait accompli” of the medium. Brian Massumi, whose writing I very much appreciate, seems to be looking very closely at what is the coming-to-being of sensation and experience. Though the potential is obviously out there, it seems like the artwork that stays at the forefront is the work that uses clever sensorial hooks and technologies that seem to be reviewed in the journals. The look towards them is always fairly similar, using what I perceive to be the Whiteadian position. I still wonder how exact Einstein was in his calculations; much of this thinking seems to build from the concept of relativity and tends to use it as a given, a proof, a theorem. All well and good, but what if it is wrong and instead of the apple falling on Newton’s head, it was rather Newton who fell upward into the apple?

 

For your sharing needs:

  • Share
  • Click to email a link to a friend (Opens in new window) Email
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
Posted in: Bergson, Deleuze, New Media Excursions Tagged: Bergson, Gilles Deleuze, Ruminations, Teaching

And if…

2011-10-04 by GedeonCom Leave a Comment

There is more. What exactly does more mean? Another langscape? Another landguage? It is nature to look at the fescue on the other side of the divide and wonder at its marvelous greeness, luscious velosity. But it is movement that is at issue, or rather displacement.

Roberto dell Griva sits by the gunwale of the shipwrecked vessel. He ponders the idea that what he sees before him is yesterday. When he sees a bird flying there, he knows it is not there now. He can’t swim. He knows that if he dives off the ship and swims toward the island, he will be swimming towards the day before. But, as mentioned, he cannot swim. Is this what it means to consider the verdosity of the fescue outside the limits of the enclosure? Of course it is. Get over it.

For your sharing needs:

  • Share
  • Click to email a link to a friend (Opens in new window) Email
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
Posted in: Deleuze Tagged: Gilles Deleuze, Landguage, Landscape, Langscape, Movement, Slow Travel, Space, Speed
« Previous 1 … 8 9 10 … 13 Next »

Post History

Projects

  • Mission Statement
  • Projects – recent works
  • Soundworks @ SoundCloud
  • Videoworks @ Vimeo
  • The Shorelines Project – Exhibition Catalogue
  • Mapping The Bay of Islands NE

Copyright © 2025 Commission GÉDÉON Commission.

Omega WordPress Theme by ThemeHall