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Mouvances & médias

New Media

Les Volumes, les bouquins et ainsi de suite.

2012-02-15 by GedeonCom Leave a Comment

I read, I teach New Media. I read books, I read on my iPad. Is it the object or is it the story? Burroughs taught me that I can take a text and snip it, cut it and reshape it. Gyotat taught me that text is sound, it vibrates, it shimmers, moves around the page and confounds, obfuscates, illuminates; en bref, it moves.

I have always thought that a book was an object, I played with a nephew building houses with my collection of Stephen King hardcovers in the hope that he would realize that books were things to be played with and explored and seen from different angles. Not just the words on the page, after all they are a result of the process, not the process itself.

Proust taught me that memory lingers, stains our bedsheets with contrivance and conspiracy. He also taught me that it is important to remember… nothing in particular and everything specific. Joyce taught me that looking at an object is a doorway to a long lost universe. Acker taught me that I need to shout, be confident (despite my insecurity), and live with the pirates of the Articles.

Intertexuality, Intertext, text, ex, and so on.

“In the beginning was the word and the word was god and has remained one of the mysteries ever since. The word was God and the word was flesh we are told. In the beginning of what exactly was this beginning word? In the beginning of WRITTEN history. It is generally assumed that spoken word came before the written word. I suggest that the spoken word as we know it came after the written word. In the beginning was the word and the word was God and the word was flesh … human flesh … In the beginning of WRITING.”

– Burroughs, William S., Electronic Revolution, Expanded Media Editions, 4th edition 1986, Bonn, Germany

Die electronische Revolution, William S. Burroughs

Die electronische Revolution, William S. Burroughs

And still I wonder what exactly a “thing” is.

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Posted in: 23, Intertextuality, Journal, New Media Excursions Tagged: 23, New Media, Ruminations, William Burroughs

Cryptic Art – Rhizome

2012-02-11 by GedeonCom Leave a Comment

Suggested reading.

This work addresses issues around information society and also on the nature of what one could consider New Media. It is about media, specifically hidden or cryptic media.

Read below or click here.

 

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Posted in: Art Work, Intertextuality, New Media, New Media Excursions Tagged: Media, New Media, Teaching

[research/science/art]

2012-02-10 by GedeonCom Leave a Comment

I was working on the draft for my next Fish Plant blog posting when this arrived in my mailbox. I thought it would be interesting to digress from the usual format of showing a few images and waxing poetic on process to post this article as it addresses issues around interdisciplinary research projects like the CURRA; of which I am a participant. I have tried to embed the article on this post, if you don’t see it below, please go here.

The article articulates a dynamic discussion on how research is done. In my view, we have moved away from observing the world and given data and statistical analysis a primary role in understanding the phenomena and relationships that frame our view of the world in most, if not all, aspects of study. This is neither a positive or a negative, every tool we can assemble to try and understand our role in our socio-ecosystems should be used in unison.

But I do feel that we don’t lift our heads above our spreadsheets and deliverables long enough to actually smell and look at the roses. I like to think that this is where cultural producers and philosophers can contribute actively to accumulating and synthesizing a type of data that can bring observation back into the equation in a dynamic and original way. An aesthetic centred research practice does not necessarily exclude scientific investigation; it may well complicate things since it is not quantitative and its qualitative aspect can sometimes require a bit of work on the part of, for lack of a better word, stakeholders. These are examples of work where artists were given the latitude and freedom to explore, investigate and present findings in a manner that challenges and augments the assembling of data.

 

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Posted in: Fish Plants, New Media Excursions Tagged: Art Theory, CURRA, Fish Plants, New Media, Teaching
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